I have it but I dont use soulseek. Everything is on slsk though, youll find it easily. Username is Brain Toad PM to be added. Talkin about Dub adn Ska n stuff, Who are your favourite bands and records. Thread Tools. All times are GMT The time now is PM.
User Name. Remember Me? Rate Thread. Ska, Rock Steady, Reggae and, Dub? Find More Posts by skankinBassist. Find More Posts by pedro durruti. Find More Posts by Saberpunk. Find More Posts by TheNowhereman Join Date: Aug Location: Wiggerside. Posts: Find More Posts by rockisdead.
Find More Posts by Pastry Man. Visit smokersdieyounger's homepage! Quote: Originally Posted by TheNowhereman42 I too have heard the story of the slowing down of the beat because it was too hot to dance. Visit blacklungfever's homepage! Quote: Originally Posted by smokersdieyounger I thoroughly reccomend King Tubby, get a ska mixture record and a dub one youll know the difference then.
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Quote: Originally Posted by smokersdieyounger good thing about reggae and ska is because its not against media attention, the best bands get it because they are all competing, whereas in punk they would avoid it and only the more commercial bands would seek and get the media attention. A serious thing! The people ah Spanish Town love it! You have to start do something like that. When it start, you hear Slim Smith start to sing and then you hear the voice gone! Thus begins the incredible tale of dub, which has so much resonance in our present time.
But when you go digging into the past of Jamaican music, you often find that things happened earlier than expected. Before U Roy , a deejay was just an incidental figure, someone that told a few jokes between songs and made announcements about future dances. That reverb, that watery sound at the start, that ah one of the first. Tubby was able to make more initial forays into dub because he had his own space in which to work, unlike peers such as Perry, who had to rely on the facility of others, prior to the opening of the Black Ark in late Other producers heavily involved in dub, such as Niney the Observer, Keith Hudson and Augustus Pablo, never managed to get a studio of their own, which led them to rely on Tubby for the most part though Niney later worked steadily out of both Joe Gibbs and Channel One.
His bedroom studio was never large enough for rhythms to be created in full there, but the space was gradually converted into a sound manipulation unit complete with a machine to cut acetates. It was just that room he had at first. You have a carport, and then the carport is a bedroom and a bathroom, so him turn the bathroom into the voice room and the bedroom into the control room, and he had his repair shop in another little house in the back.
His main income was building amplifiers and winding transformers; the music was an addition, because he had the sound and he always wanted to make his own dubs.
Then when Byron Lee decided him going cut stampers, him decided to sell [the equipment in] studio two, which was four-track. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something ne wand different.
The verb dub is defined as making a copy of one recording to another. Some musicians, for instance Bob Marley and The Wailers, had their own meaning for the term dub. Drummer Sly Dunbar points to a similar interpretation, relating the term dubwise to using only drums and bass. Another possible source was the term dub plate, as suggested by Augustus Pablo.
The instrumental tracks are typically drenched in sound effects such as echo, reverberation, with instruments and vocals dropping in and out of the mix. Another hallmark of the dub sound is the prominent use of bass guitar. The music sometimes features other noises, such as birds singing, thunder and lightning, water flowing, and producers shouting instructions at the musicians.
The many-layered sounds with varying echoes and volumes are often said to create soundscapes, or sound sculptures, drawing attention tot he shape and depth oft he space between sounds as well as the sounds themselves. There is usually a distinctly organic feel tot he music, even though the effects are electronically created. Dub music and toasting introduced a new era of creativity in reggae music.
From their beginning, toasting and dub music developed together and influenced each other.
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